Skip to main content

Resist attempts at normalization


Words matter. This notion that campaign rhetoric is meaningless is disturbing for several reasons. The implication is that you either voted for someone you thought was spewing nonsense, or that you believed his irresponsible and dangerous rhetoric and wanted to see him follow through on it.

We're losing a president who was thoughtful, kind, compassionate, intelligent, and had a sense of humor. We didn't have to agree with all of his policy decisions to realize he was, at heart, a good man. We're trading him in for a bully, a misogynist, a racist, a man who played off of people's fears of the Other to ride a wave of hate into office.

His rhetoric is now being normalized all over the place. That's dangerous. He and others need to be held accountable for what they say. Words have meaning and impact. Chances are the people who don't see this now, will see it in time once the president-elect fails to follow through on any of his unrealistic promises.

It's been a strange week. We're all still processing, on both sides. There's an awful lot of hate being spewed by people who feel they "won" something here. People who are grieving are not only grieving for themselves or their families and friends, they're grieving for the people he conned into electing him. He looks overwhelmed already. His appointments have been frightening so far.

This divide right now is the worst we've seen in a long time. There's a lot of talk about healing, moving forward. That's a luxury to most, and that sort of sentiment is rooted in privilege. That's what got us into this mess in the first place. To paraphrase Dave Chappelle, an internet troll will be our next president. Think about that.

Comments

Popular posts from this blog

RIP Chris Cornell

He was Louder Than Love.
When we were younger and knew nothing, people like Chris Cornell were our mentors, leading us down some interesting paths. They didn't have answers and they made that clear; they just made incredible, invigorating, heartbreaking, and memorable music that helped us get through most anything. "My Wave" was like a mantra:  Don't come over here
Piss on my gate
Save it just keep it off my wave I used to scour liner notes back then and when I discovered Cornell's music publishing name was "You Make Me Sick I Make Music" I thought, that's perfect. Take your defiance, your anger, your disgust with how cruel the world can be and channel it into something. Music, art, your friends and family, anything productive.

His death is devastating. To me, my friends, the world. Every time someone of his stature dies, people ask "You didn't know him personally, why do you care?" And I feel anger and a fury inside well up because t…

Even walls fall down

Memories rushing in, like waves crashin' on the beach.
I'm a bad boy, 'cause I don't even miss her / I'm a bad boy, for breakin' her heart
Young and selfish, unhappy and escaping to a brighter, better place, self-preservation conquers regret, self-loathing replaced by a tentative confidence. A perfect song, this was on constant rotation during those years, both on MTV and inside my head.
I'll be the boy in the corduroy pants / you'll be the girl at the high school dance
Summer '95, outside, evening air, then-girlfriend, me, and 25,000 other voices, singing every word at the tops of our lungs, as if our very existence depended on it.
Sometimes you're happy / sometimes you cry / half of me is ocean / half of me is sky
'96, then-girlfriend is now ex-girlfriend, but hearing this then-new song helps me remember, and appreciate, a heart so big it could crush this town.
The waiting is the hardest part
Must've included this song on every mixtape I …

It Came From the '90s: The Shock and Awe of Divinyls

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade.

Peeling out of the church parking lot after Sunday night religious ed class, Divinyls' "I Touch Myself" blasting from the car stereo. This makes the passengers giggle like the immature dorks we are, while the friend behind the wheel is grinning out the window at the religious education teachers. The rest of us, shy and non-confrontational, smile sheepishly from the backseat.

The teachers look extremely displeased. I think one shakes her head in disgust. Each generation looks at their successors this way at one point or another, it's unavoidable. The old timers, shocked and appalled, plus a little envious, when confronted with the temerity of youth.

While I'm just an accomplice in the car—I didn't know the driver was going to do that when he turned the ignition key and the song started playing on the radio—each of us has at least a little fun in…

It Came From the '90s: Not For You

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade.

Generation X. Alternative Nation. Slackers. Kids in flannels.

In the early and mid 1990s, teens and young adults of a certain age were given all of those monikers, and several others too. Full disclosure, I was one of those kids. Every generation goes through a period like that—when they're the up-and-comers trying to break free of the previous generation, A period of endless media and societal fascination leading to unfair stereotyping and marginalization.

Pearl Jam's "Not For You," from 1994's seismic blast of an album Vitalogy, seemed to be directly addressing this divide between the members of Gen X and their elders. Vitalogy was the most anticipated album of the year. Kurt Cobain killed himself that spring, leaving Pearl Jam alone at the top of the rock mountain, whether they wanted to be there or not. They were the biggest band in the world d…

Catwomen: Michelle Pfeiffer

Ranking my top five Catwoman performances in film and television.

Click here for the previous entry in the Catwomen rankings.

1. Michelle Pfeiffer, Batman Returns (1992)



As a young girl, I was completely obsessed with Catwoman. When I heard that Tim was making the film and Catwoman had already been cast, I was devastated," says Pfeiffer. “At the time, it was Annette Bening. Then she became pregnant. The rest is history. I remember telling Tim halfway through the script that I'd do the film, that's how excited I was.
That's Michelle Pfeiffer, discussing her momentous turn as Catwoman in Tim Burton's Batman Returns (1992), from a 2017 interview with The Hollywood Reporter.


It's important to remember, we were this close to never having Michelle’s transcendent performance. Annette Benning was cast and about to begin filming when she found out she was pregnant. After she dropped out, Pfeiffer squeezed into the black latex and the rest is cinematic/pop culture history.


T…

Michelle Pfeiffer: Frankie and Johnny

Revisiting—or in a few cases, watching for the first time—and celebrating the work of Michelle Pfeiffer, the best actress of my lifetime.

And then there was the time my two favorites starred in one of the most starkly honest and mature films about grownup relationships this viewer has ever seen. Frankie and Johnny (1991) is a beautifully melancholic tale, laced through with rich and sincere humor aimed at adults—people who've lived long enough to have loved and lost and felt real longing and despair.
Al Pacino is fantastic as Johnny, the new short-order cook at the diner where Michelle Pfeiffer's Frankie works. Johnny is a good man who truly believes that he and Frankie are meant to be together. Johnny is fully alive now to the realization that life is short, so he's resolved to cherish every minute of it moving forward. Frankie is the cynic, the beaten-down diner waitress who masks the pain of previous relationship failures with biting sarcasm and avoidance. She's the…

Michelle Pfeiffer: Charlie Chan and the Curse of the Dragon Queen

Revisiting and celebrating the work of Michelle Pfeiffer, the best actress of my lifetime.

If you're looking to understand the full depth and breadth of Michelle Pfeiffer's excellence on the silver screen, you could be forgiven for skipping her second film, Charlie Chan and the Curse of the Dragon Queen. In terms of Essential Pfeiffer, it's far from it. Still, it's always worth exploring her earliest work, before she became Michelle Pfeiffer, Movie Star, in order to catch glimpses of her unique talents, just beginning to manifest at such a young age.


The best way to describe this movie is “very much of its time”, with all that entails. It’s intermittently funny but sometimes the slapstick style is groan-worthy. Pfeiffer plays Cordelia, fiancé to the bumbling idiot-savant grandson of the famed detective Charlie Chan (who is played by the Russian actor Peter Ustinov—remember, “very much of its time”). Together, Baby Pfeiffer and future hubby literally stumble and careen th…

Michelle Pfeiffer at 60: Still White Gold, Still the Best

Hard to believe it, but Michelle Pfeiffer will turn sixty on April 29th.

Not as hard to believe, I'm an enormous Michelle Pfeiffer fan, or pfan, if you will. I've written extensively about her work, and I will likely continue to do so until someone pries the keyboard out of my cold, dead hands.


Pfeiffer turning sixty feels momentous. Obviously, we could go on for days about how she doesn't look sixty, about how she's managed to retain her stunning, otherworldly, jaw-dropping good looks all these years. Certainly, when I first discovered her in the mid- to late-1980s as an adolescent, it was her captivating eyes and pouty lips that first made me sit up and say, "Whoa!" After all this time, she's still solid White Gold. Always has been, always will be.


Reducing Michelle Pfeiffer to her looks, however, is never a wise decision. She's so much more than just quite possibly the world's most pretty face. She's a true artist, an extremely talented, o…

It Came From the '90s: For D’arcy (Sail on Silver Girl)

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade.

Search any dorm room across campus, circa 1995, and you'd likely find a copy of Simon and Garfunkel's Greatest Hits. Many copies would've been acquired through BMG's or Columbia House's music clubs ("12 Hot Hits for a Cool Penny"). "Cecilia" was always a hallway jam favorite, especially in the girls' dorms, but "Bridge over Troubled Water" was deep, man.

Sail on silver girl Sail on by Your time has come to shine All your dreams are on their way See how they shine Oh, if you need a friend I'm sailing right behind Like a bridge over troubled water I will ease your mind Like a bridge over troubled water
I will ease your mind
That image of "Silver Girl" was particularly evocative to me—of what, I wasn't quite sure, but it was all so lovely and damaged in its own twee way. Who was this Silver Girl? Was I s…

Michelle Pfeiffer: Wolf

Revisiting—or in a few cases, watching for the first time—and celebrating the work of Michelle Pfeiffer, the best actress of my lifetime.

Mike Nichols' Wolf (1994) utilizes classic werewolf tropes to segue into a smart and slyly funny exploration of the crisis of masculinity. Jack Nicholson's character Will, in the midst of a midlife crisis, begins to feel like a much younger man again after he's bitten by a wolf. Plus he meets a much younger woman played by Michelle Pfeiffer, who becomes the symbol of all that's missing from his life, and so of course he must have her. The film flummoxed audiences and critics in '94, yet it holds up magnificently today. It's beautifully filmed, with a memorably vivid Ennio Morricone score, and terrific performances by all involved, especially from Pfeiffer.

Pfeiffer has a lot of fun being the object of Nicholson's affection here. She makes acting choices that help reinforce the film's harsh critique of the male ego. Thr…