Words Seem Out Of Place

Selections from Nicole Kidman's  filmography that demonstrate her extraordinary talent and risk-taking commitment. Alejandro Amenábar's Gothic ghost tale The Others (2001) allows Nicole Kidman plenty of room to show off her expansive range as an actor, with each new choice she makes building ever so delicately, layer upon layer, into a performance that's truly transcendent. As Grace Stewart, a mother of two children with a rare and dangerous sensitivity to light, Kidman positively crackles with anxious energy, even while maintaining a proper mid-century stoicism. The constant fear for her children's safety is expressed masterfully, whether it's through her eyes popping wide open with sudden concern or a quick spike in her voice to denote intense anxiety bursting forth. The film's twist ending—which I will not spoil here, even though we're talking about a nearly two-decade old film—still packs a wallop today, thanks in no small part to Gr

Let's face facts: I've fallen behind on my Michelle Pfeiffer performance reviews. Life stuff has gotten in the way, plus I've been spending much of time writing four different chapters for inclusion in three forthcoming books (fingers crossed!), and on various other writing commitments. Excuses, excuses, man! I know, just shut up and get back to La Pfeiffer, right? I hear you, I really do. So, while I'm working on some future reviews ( Stardust and Tequila Sunrise are tops on my list of films left to get to), here's an easy breezy Pfeiffer puff piece to hold us all over for a bit. And what's easier or breezier than Baby Pfeiffer, amirite? Everyone knows I have a serious weakness for that very early career sun-kissed California goddess, during the late 1970s through about 1982 or 1983, right before she went nuclear with Scarface . I've posted about Baby Pfeiffer before , in fact, but why not do it again? What's stopping me?? Nothing!