This is not my beautiful blog

Sometimes I think this blog has multiple personalities.

Other times I think I have multiple personalities.

Synergy!

Every now and then I have a moment of cognitive dissonance around here: wait, wasn't I going to use the blog as therapy? Why am I writing about Buffy the Vampire Slayer, then? And not even the beloved series, but the film no one cares about!

Writing about yourself has its limits. I've done it a lot here, but usually filtered through popular culture musings. That's how I'm most comfortable doing it, I suppose. Sometimes those reflections turn further inward. Things get real, as we used to say in the '90s. Mostly though, this space is for enthusing about books and movies and music and whatever else I'm hooked on at the moment, or have been hooked on at some point in my life.

I've started some recurring features in the last year in order to help organize my thoughts and provide a rough outline for future posts. "It Came From the '90s" has been an awful lot of fun to write, in fact, probably the most enjoyable stuff I've written here. I have at least countless more ideas for future posts in that series.

I'm hoping to start a new series on music, focusing on one band or artist for a stretch, with each post looking at one song. I know what band I'm starting with, so that should kick off soon. This will likely supplant my older music feature, "Songs in the Key of Life," at least for now. I never found the groove with that one and I feel like most of them were overlong and could have used some tightening. Oh well. Live and learn, and all that.

My reading for pleasure lately has been derailed by the usual late-winter stuff: work, colds, and kids. "Barely Making a Dent" really keeps me honest about my reading though, so be on the lookout for more of that. I'm toying with another book-related series: blogging about Stephen King's It as I'm reading it. This would entail a series of posts, spread out over months, most likely (because the book is long, you guys, and I'm busy). They won't be comprehensive reviews or anything like that. I'm thinking more along the lines of short, quick hits on what I've just read. If that sounds disjointed, well, so be it.

Doing a sort of "quick hits" regular feature sounds interesting to me also, where I might just write simply and briefly about things I'm thinking about at the moment—politics, daily life, music, etc.—without needing to expound. Sometimes my impediment to writing here comes from trying to fit everything into something else. That's fine and even necessary when I'm writing at other websites, but here it's nice to have fewer restrictions, more room to roam.

So those are a few potential things to look forward down the road. But what was my point, again? I don't think I have one, honestly, but I riffed on a line from a great Talking Heads song in the title of this post, so, that's cool.

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All I Want For Christmas: Phoebe Cates's Monologue in Gremlins

Joe Dante's 1980s classic Gremlins will always be a subversive Christmas favorite. From Spike exploding in the microwave to Mrs. Daigle's "stairlift to hell", the movie is packed with deliciously transgressive moments that turn the holly jolly season right on its ear. None are more memorable, though, than Phoebe Cates delivering her legendary "worst thing that ever happened to me on Christmas" monologue. It's a jaw-dropping, tour-de-force moment, a truly horrific story that's also one of the most darkly comic moments in Christmas movie history. Cates really shines during this scene. There's no denying just how seminal that scene of hers in Fast Times at Ridgemont High was for a generation of young people, but her speech in Gremlins is equally important and a wonderful showcase for her serious and comedic acting skills. Here's the speech, in its entirety. No Christmas season is complete without at least one viewing ...

Blowing in the Wind: Marilyn Monroe and That Iconic White Dress

This month marks sixty-five years since one of the most iconic moments in twentieth-century popular culture: Marilyn Monroe’s angelic white dress being blown sky high by wind rushing up from a subway grate beneath her feet in the film The Seven Year Itch . Billy Wilder shot multiple takes, while Sam Shaw snapped photo after photo for what had to be the biggest publicity stunt ever staged at the time. Marilyn wore two pairs of underwear for the shot, yet, as noted in Lois Banner's critical biography Marilyn: The Passion and the Paradox (2012), "a dark blotch of pubic hair" remained visible to the 100 male photographers and over 1,500 male spectators, all of whom crowded eagerly around the set to gawk and drool. Due to strict 1950s movie censorship laws, photos had to be doctored to white out the offending blotch, but those in attendance saw it, over and over, shot after shot. Marilyn's husband at the time, the extremely old fashioned Joe DiMaggio, stormed off th...

It Came From the '90s: Kelly Bundy and the Alternative Family Ideal

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade. Very few television series in the 1990s were as polarizing as Married...with Children . People either loved it or they loathed it. TV critics and good upstanding Catholic families like mine fell into the latter category. Soon after it debuted during my first year of junior high in 1987 (not quite the '90s, but on the brink), my parents made it clear that we would not be watching. I believe the words they used were "vulgar," "unfunny," and, one of their perennial favorites, "risque." Of course, this meant it immediately took on a prurient appeal for me. Parents can never win, honestly. Kelly Bundy—the talented Christina Applegate, who never gets enough credit for elevating the blonde airhead trope into an art form—only further piqued my interest. She was like the girls in school with the absurdly voluminous hair and ridiculously sh...

"That girl looks just like Pat Benatar"

Linda, that girl looks just like Pat Benatar. I know. Wait, there are three girls here at Ridgemont who have cultivated the Pat Benatar look. I was just a kid when Fast Times at Ridgemont High opened in 1982. Still though, even at the tender young age of seven, I knew who Pat Benatar was, because a.) her music was all over the radio and even then I recognized the utter awesomeness of her vocal talent in songs like "Hit Me With Your Best Shot", and b.) some of the older girls around town were obviously cribbing their looks—clothes, hair, makeup, strut—from Benatar's own style. Benatar was ubiquitous. So, when I see or hear vintage-era Benatar now, I think of Fast Times , but mostly I remember that ubiquity—of both the performer and her legion of young imitators. I know it's not true, but when I recollect those years I swear every older girl looked like either Benatar, Juice Newton, or Joan Jett. It's easy to forget, years later, that...

Misspent Youth: Joanne Whalley

Looking back at the pop culture mainstays of this Gen-Xer's gloriously misspent youth. One of the most famous and oft-quoted Seinfeld scenes involves Bobka and Jerry's discovery of the existence of Cinnamon Bobka. After Elaine scoffs at the notion of such a thing, even calling it a "lesser Bobka," Jerry unleashes one of the great defenses of a freshly ground spice ever delivered: People love cinnamon. It should be on tables at restaurants along with salt and pepper. Anytime anyone says, "Oh This is so good. What's in it?" The answer invariably comes back, Cinnamon. Cinnamon. Again and again. Joanne Whalley is like Cinnamon. Yes, I just compulsively double-checked my DVD copy and it's the unrated version, thank you very much. Let me explain. You see, during the formative years of my misspent youth, if I stumbled on a movie featuring the doe-eyed, petite, beautiful English actress, invariably I'd feel like Jerry does about Cin...

Misspent Youth: Randi Brooks

Looking back at the pop culture mainstays of this Gen-Xer's gloriously misspent youth. ***** A note on the series and this site: This might be the final post in the "Misspent Youth" series - at least here. Maybe it'll eventually move with me. Oh, right, I buried the lede: I've moved, and would love for you to come visit me at my new site, The Starfire Lounge ! Moving forward, this site will likely cease to be updated, but will remain around for posterity and your continued reading pleasure. I have a few more things to post here over the coming days or weeks as a sort of "everything must go" send-off to the old girl. I also plan to write a final farewell post to my main online home for the last five years. Stay tuned and, as always, thanks for reading. ***** It's no surprise that the talented but now mostly forgotten Randi Brooks would make an appearance in the Misspent Youth series. She may not be a household name, but her resume...

Margot Kidder and the Childhood Crush That Will Never Die

"I dream about sex, flying, and being chased by Nazis." — Margot Kidder, Rolling Stone , "The Education of Margot Kidder", 1981 ***** File that quote under, "Reasons why I love Margot Kidder." Last month, Margot hopped a one-way flight with old pal Chris Reeve off into the stars and beyond, where they could reenact their iconic moment from Superman (1978), for all eternity. I wrote a little about Margot, here and here , trying to explain why this particular actress meant so much to me as a kid growing up in the 1980s. I thought that would be enough. It wasn't.* Those posts were my fumbling attempts to sort out just how large an impact Margot had on my young life, and, to my present-day surprise, how much she still means to me now. Before news of her death, I hadn't thought of her in ages. I assumed the early childhood crush I harbored for my Lois Lane had dwindled and faded. Ha! I was a fool. My crush on Margot was very ...

It Came From the '90s: My Secret Crush on The Nanny

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade. For six seasons in the 1990s, The Nanny made many of us laugh. At times, it could be downright hilarious . At others, well, not so much . This isn't a review of a '90s sitcom staple, though. No. This is simply an excuse to come clean about something I've kept buried deep inside for over two decades now: I had a secret crush on The Nanny herself, Fran Drescher. The unadulterated nineties-ness of this is practically blinding. And I love it. While The Nanny was sometimes quite funny, thanks largely to Drescher's spunky charisma and wholehearted commitment, the show was never considered hip. People my parents age seemed to love it, but my friends preferred, well, Friends . That smile! Those legs! That dress! It's all overloading my circuits. I watched Friends with my friends, but I also thoroughly enjoyed The Nanny , to...

"Opium Wars" by Zoe Lund

She wants there to be more of her. More space taken by her body, More decibels conquered by her voice, More time by her wakefulness, More equations by her addition. She wants more, I want less. Her blade is rusty, musty, sweaty and vain. I like it clean and sharp and dark-bright. She traffics in surplus, I bare my essentials. Her world is elastic but brittle. Mine is bony but moonlit. Hers flows, she ebbs. Mine ebbs, I flow. She dies in life, I live in death. —Zoe Lund, “Opium Wars”

Double Feature: Michelle Pfieffer and Al Pacino

Revisiting—or in a few cases, watching for the first time—and celebrating the work of Michelle Pfeiffer, the best actress of my lifetime.* If you've been paying attention around here lately , you know that I adore Michelle Pfeiffer. She's likely my favorite actor, hands down. Al Pacino, however, also sits right there at the top of my personal pantheon. So it's no surprise that their two film collaborations are extremely special to me. They first starred together in Scarface (1983), Brian De Palma's wildly ambitious and searing critique of power, avarice, and the American Dream, as told through the rise and fall of a drug kingpin. That film belongs to Pacino, with Pfeiffer in a smaller, yet crucially important role. Eight years later, they shared the screen again in Frankie and Johnny (1991), Garry Marshall's warm, tender, and honest look at two damaged people falling in love. This time, Michelle's Frankie is the film's real focal point, with Al'...

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