In which our narrator tries to read his way through the endless stacks of books that are slowly overtaking both his bookshelves and his life.
Somehow I've managed to read the following while reading It and since reading It.
Blondie Unseen 1976-1980, photos by Roberta Bayley. Simply stunning photographs, on stage and off, of Debbie Harry and Blondie at their absolute peak. It proves what I've always known: Harry simply does not take a bad picture, ever. Hoping to write more about this one soon; stay tuned.
South and West, by Joan Didion. After the mammoth It, it was nice to kick back with a small, 120+ page collection of Didion's notes on her home state of California and her travels through the south in 1970. Didion is a personal favorite, so I cherish any chance I find to read her work, even her unfinished notes from four decades ago. They may be raw but they still manage to create an impressively cohesive book. Didion is one of our finest chroniclers of this increasingly strange late-twentieth/early-twenty-first century American experience, and all of the emotional turmoil inherent in that. Here's an example of how she drills right down to the heart of things, finding ways to express feelings so many of us continue to feel today, in 2017:
“It occurred to me almost constantly in the South that had I lived there I would have been an eccentric and full of anger, and I wondered what form the anger would have taken. Would I have taken up causes, or would I have simply knifed somebody?”
|Quintessential Chaykin: guns, femme fatales, and action|
A whole lot of Wonder Woman comics. You might have heard there's this little movie out now that's doing gangbusters with critics and fans alike. My daughter is turning into an enormous Wonder Woman fan, which is only ratcheting up my already-strong appreciation for the character. I know this post is about books, but I implore you to go see the movie, and if you're already seen it, see it again. I've seen it twice and my admiration has only grown for what Patty Jenkins, Gal Gadot, and crew did with this film.
Howard Chaykin: Conversations, edited by Brannon Costello. Another review copy, but one that I've had for a while now. Just getting around to it. Chaykin is a fascinating writer/artist whose work has been both innovative and controversial for decades, including a recent example of the latter. He's also an absurdly honest interview subject who doesn't shy away from any subject, especially when offering opinions on fellow artists, writers, editors, and the commercial art/comic book industries as a whole.