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Rethinking how we view fictional characters

I meant to share this link a few weeks back to an article/review I wrote for Sequart. It focused on one chapter from Deborah E. Whaley's recent book, Black Women in Sequence: Re-inking Comics, Graphic Novels, and Anime . I received a review copy from the publisher late last year and I can't recommend the book enough, especially if you're at all interested in how readers or viewers perceive fictional characters. Whaley's book is one of several recent books offering serious critical analyses of comics, comics culture, and other popular culture sites, several of which (including Whaley's book) are coming from university presses. One more reason university presses rock (I'm not biased, I swear). Whaley does an excellent job of showing just how important it is to recognize that a person's gender, race, economic background, education, etc., can play a huge role in how they perceive fictional characters. For the article, I focused on the chapter focusing on C...

A few words about some movies and a book

I wrote three more articles recently for  Sequart . The first one delves into why  Pretty in Pink  still resonates with audiences thirty years after its release. The second looks at life lessons from the ridiculously underrated Michael Keaton flick The Paper . The third is my exploration of the key themes in Stephen King's novel  The Shining and how Stanley Kubrick took the film in some other directions. I wrote about  The Shining after finishing the book a week or so ago. I've read plenty of King's books over the years but had avoided that one due to my immense respect and love for Kubrick's film. I always thought that King's book couldn't compare—even though it's the source material and that's a fairly backwards way to look at this. Silly me. The book is definitely one of King's best, at least that I've read (my favorites remain Salem's Lot , The Stand , and all of the Dark Tower books). It was a trip reading this book after becomin...