Skip to main content

It Came From the '90s: The Hope and Heartbreak of Riley's New York Knicks


This series looks back at the 1990s and its influence on the generation of people who came of age during the decade.

Pat Riley's New York Knicks broke our hearts, every single yearNot only did they break them, but they ripped them out of our chests, stomped on them, tore them in half, and then tossed the pieces in the river. And we loved them anyway.

I grew up in the shadow of Schenectady. In the shadow of the men born and raised on its city streets, including Riley, and most importantly, my father. These were men who didn't complain about life's heartache and misery, but instead just lived, motivating those around them by their work ethic and their true and unwavering principles. Certainly, Riley's Knicks (1991–1995) were the perfect team for the tough 'n' gritty New York City of that era. Yet they were also bruisers, uncompromising, relentless. They beat you by out-hustling and out-working you. In other words, like their coach, they were Schenectady.

Patrick Ewing was their superstar, yet one who'd never tasted much success. Otherwise the roster was stocked full of NBA journeymen, former minor-leaguers, and grocery store baggers. Yet early on these assorted losers and oddballs gelled under Riley. They went from nobodies to serious title contenders by his second year on the bench. Rejects and has-beens like Anthony Mason, John Starks, Greg Anthony, and Derek Harper played their hearts out for Riley. It also didn't hurt they had grizzled vet Charles Oakley to help set the tone and style Riley was after, one that favored tenacious defense over fluid offense. Riley was smart (duh, he's a Hall of Fame coach)—he knew he didn't have an offensive powerhouse so he played to his team's strengths on defense instead.



Tenacious D: what Riley's Knicks lacked in offensive firepower they made up for with smothering defense.

That Riley inspired these misfits to (almost) greatness was astonishing then and remains a minor miracle today. In his four years they won 51, 60, 57, and 55 games. Three out of four of these years they were knocked out of the playoffs by one of their two hated rivals, the Chicago Bulls and Indiana Pacers. I can still see the heartbreaking endings of games, series, seasons, as if they were happening in real time today: Charles Smith blowing what felt like a dozen layups against the Bulls in the final seconds; Reggie Miller shocking New York and the world with eight points in nine seconds to steal a win; Ewing's missed gimme of a finger roll at the buzzer against the Pacers, this one the final nail in the coffin, as Riley left for Miami soon after.


One year stands above all others though, in terms of pure Shakespearean tragedy. In '94, the Knicks finally made it past the Bulls (who, it must be stated, were missing Jordan, inexplicably off shagging fly balls in the deep south). The '94 Finals against Hakeem's Houston Rockets was an ugly yet absurdly addictive series, filled with grueling basketball, amounting to more of a war of attrition than anything. The Knicks went back to Houston with a 3-2 lead and a championship within their grasp. Then it all fell apart. The Rockets, rejuvenated at home, squeaked out wins in the final two games, assisted greatly by Hakeem's last-second block of Starks' jumper in game six, and then Starks' horrific 2-18 shooting performance in game seven. It was painful to watch.



Even today, this screen capture breaks my heart.

It wasn't supposed to end that way. The NHL's Rangers and the Knicks had each been marching towards greatness all season, and watching their twin playoff run concurrently still remains quite possibly the most intoxicating sports viewing experiences of my life. All of New York seemed electrified by these two long-suffering franchises that summer, all of us seemingly living and dying with the outcome of every game. The Rangers upheld their end. The Knicks almost did, but almost doesn't count in the end.


Yet, looking back on it now, I think New Yorkers from across the state loved those Knicks, not despite their falling apart at the end of big games, but because of it. In some twisted way, we identified with and even saw ourselves in their imperfections. Ultimately Riley's Knicks overachieved. Their roster wasn't nearly as talented as the Pacers or Bulls, yet they fought tooth and nail against those squads in some of the NBA's hardest-fought playoff series of the era, maybe ever. I still ache for the championship(s) they almost won, but I also continue to be inspired by how much effort they expended trying to scale that mountain, year after year. It was a wild four-year ride, during which time the Knicks ripped out our hearts often, but dammit if we didn't still love them anyway.

Comments

Popular posts from this blog

All I Want For Christmas: Phoebe Cates's Monologue in Gremlins

Joe Dante's 1980s classic Gremlins will always be a subversive Christmas favorite. From Spike exploding in the microwave to Mrs. Daigle's "stairlift to hell", the movie is packed with deliciously transgressive moments that turn the holly jolly season right on its ear. None are more memorable, though, than Phoebe Cates delivering her legendary "worst thing that ever happened to me on Christmas" monologue. It's a jaw-dropping, tour-de-force moment, a truly horrific story that's also one of the most darkly comic moments in Christmas movie history. Cates really shines during this scene. There's no denying just how seminal that scene of hers in Fast Times at Ridgemont High was for a generation of young people, but her speech in Gremlins is equally important and a wonderful showcase for her serious and comedic acting skills.  Here's the speech, in its entirety. No Christmas season is complete without at least one viewing ...

Blowing in the Wind: Marilyn Monroe and That Iconic White Dress

This month marks sixty-five years since one of the most iconic moments in twentieth-century popular culture: Marilyn Monroe’s angelic white dress being blown sky high by wind rushing up from a subway grate beneath her feet in the film  The Seven Year Itch . Billy Wilder shot multiple takes, while Sam Shaw snapped photo after photo for what had to be the biggest publicity stunt ever staged at the time. Marilyn wore two pairs of underwear for the shot, yet, as noted in Lois Banner's critical biography Marilyn: The Passion and the Paradox  (2012), "a dark blotch of pubic hair" remained visible to the 100 male photographers and over 1,500 male spectators, all of whom crowded eagerly around the set to gawk and drool.  Due to strict 1950s movie censorship laws, photos had to be doctored to white out the offending blotch, but those in attendance saw it, over and over, shot after shot. Marilyn's husband at the time, the extremely old fashioned Joe DiMaggio, stormed off th...

It Came From the '90s: Kelly Bundy and the Alternative Family Ideal

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade. Very few television series in the 1990s were as polarizing as Married...with Children . People either loved it or they loathed it. TV critics and good upstanding Catholic families like mine fell into the latter category. Soon after it debuted during my first year of junior high in 1987 (not quite the '90s, but on the brink), my parents made it clear that we would not be watching. I believe the words they used were "vulgar," "unfunny," and, one of their perennial favorites, "risque." Of course, this meant it immediately took on a prurient appeal for me. Parents can never win, honestly. Kelly Bundy—the talented Christina Applegate, who never gets enough credit for elevating the blonde airhead trope into an art form—only further piqued my interest. She was like the girls in school with the absurdly voluminous hair and ridiculously sh...

"That girl looks just like Pat Benatar"

Linda, that girl looks just like Pat Benatar. I know. Wait, there are three girls here at Ridgemont who have cultivated the Pat Benatar look. I was just a kid when Fast Times at Ridgemont High opened in 1982. Still though, even at the tender young age of seven, I knew who Pat Benatar was, because a.) her music was all over the radio and even then I recognized the utter awesomeness of her vocal talent in songs like "Hit Me With Your Best Shot", and b.) some of the older girls around town were obviously cribbing their looks—clothes, hair, makeup, strut—from Benatar's own style. Benatar was ubiquitous. So, when I see or hear vintage-era Benatar now, I think of Fast Times , but mostly I remember that ubiquity—of both the performer and her legion of young imitators. I know it's not true, but when I recollect those years I swear every older girl looked like either Benatar, Juice Newton, or Joan Jett. It's easy to forget, years later, that...

Misspent Youth: Joanne Whalley

Looking back at the pop culture mainstays of this Gen-Xer's gloriously misspent youth. One of the most famous and oft-quoted Seinfeld scenes involves Bobka and Jerry's discovery of the existence of Cinnamon Bobka. After Elaine scoffs at the notion of such a thing, even calling it a "lesser Bobka," Jerry unleashes one of the great defenses of a freshly ground spice ever delivered: People love cinnamon. It should be on tables at restaurants along with salt and pepper. Anytime anyone says, "Oh This is so good. What's in it?" The answer invariably comes back, Cinnamon. Cinnamon. Again and again.  Joanne Whalley is like Cinnamon. Yes, I just compulsively double-checked my DVD copy and it's the unrated version, thank you very much. Let me explain. You see, during the formative years of my misspent youth, if I stumbled on a movie featuring the doe-eyed, petite, beautiful English actress, invariably I'd feel like Jerry does about Cin...

Misspent Youth: Randi Brooks

Looking back at the pop culture mainstays of this Gen-Xer's gloriously misspent youth. ***** A note on the series and this site: This might be the final post in the "Misspent Youth" series - at least here. Maybe it'll eventually move with me. Oh, right, I buried the lede: I've moved, and would love for you to come visit me at my new site, The Starfire Lounge ! Moving forward, this site will likely cease to be updated, but will remain around for posterity and your continued reading pleasure. I have a few more things to post here over the coming days or weeks as a sort of "everything must go" send-off to the old girl. I also plan to write a final farewell post to my main online home for the last five years. Stay tuned and, as always, thanks for reading. ***** It's no surprise that the talented but now mostly forgotten Randi Brooks would make an appearance in the Misspent Youth series. She may not be a household name, but her resume...

Margot Kidder and the Childhood Crush That Will Never Die

"I dream about sex, flying, and being chased by Nazis." — Margot Kidder,  Rolling Stone , "The Education of Margot Kidder", 1981 ***** File that quote under, "Reasons why I love Margot Kidder." Last month, Margot hopped a one-way flight with old pal Chris Reeve off into the stars and beyond, where they could reenact their iconic moment from  Superman  (1978), for all eternity. I wrote a little about Margot, here and here , trying to explain why this particular actress meant so much to me as a kid growing up in the 1980s. I thought that would be enough. It wasn't.* Those posts were my fumbling attempts to sort out just how large an impact Margot had on my young life, and, to my present-day surprise, how much she still means to me now. Before news of her death, I hadn't thought of her in ages. I assumed the early childhood crush I harbored for my Lois Lane had dwindled and faded. Ha! I was a fool. My crush on Margot was very ...

It Came From the '90s: My Secret Crush on The Nanny

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade. For six seasons in the 1990s, The Nanny made many of us laugh. At times, it could be downright hilarious . At others, well, not so much . This isn't a review of a '90s sitcom staple, though. No. This is simply an excuse to come clean about something I've kept buried deep inside for over two decades now: I had a secret crush on The Nanny herself, Fran Drescher. The unadulterated nineties-ness of this is practically blinding. And I love it. While The Nanny was sometimes quite funny, thanks largely to Drescher's spunky charisma and wholehearted commitment, the show was never considered hip. People my parents age seemed to love it, but my friends preferred, well, Friends . That smile! Those legs! That dress! It's all overloading my circuits. I watched Friends with my friends, but I also thoroughly enjoyed The Nanny , to...

"Opium Wars" by Zoe Lund

She wants there to be more of her. More space taken by her body, More decibels conquered by her voice, More time by her wakefulness, More equations by her addition. She wants more, I want less. Her blade is rusty, musty, sweaty and vain. I like it clean and sharp and dark-bright. She traffics in surplus, I bare my essentials. Her world is elastic but brittle. Mine is bony but moonlit. Hers flows, she ebbs. Mine ebbs, I flow. She dies in life, I live in death. —Zoe Lund, “Opium Wars”

Double Feature: Michelle Pfieffer and Al Pacino

Revisiting—or in a few cases, watching for the first time—and celebrating the work of Michelle Pfeiffer,  the best actress of my lifetime.* If you've been paying attention around here lately , you know that I adore Michelle Pfeiffer. She's likely my favorite actor, hands down. Al Pacino, however, also sits right there at the top of my personal pantheon. So it's no surprise that their two film collaborations are extremely special to me. They first starred together in Scarface (1983), Brian De Palma's wildly ambitious and searing critique of power, avarice, and the American Dream, as told through the rise and fall of a drug kingpin. That film belongs to Pacino, with Pfeiffer in a smaller, yet crucially important role. Eight years later, they shared the screen again in Frankie and Johnny (1991), Garry Marshall's warm, tender, and honest look at two damaged people falling in love. This time, Michelle's Frankie is the film's real focal point, with Al'...