Skip to main content

Random Thoughts on Avengers: Infinity War


I haven't written a lot about the Marvel movies here, but I have seen almost all of them at this point (still need to catch up with Spider-Man: Homecoming and Ant-Man), plus I've spent most of my life reading Marvel Comics, so I'm as invested as anyone in these films. But for a while, circa Captain America: Civil War, I was starting feel over it all, and interest in future films in the Marvel Cinematic Universe (MCU) was waning. Then I saw Guardians of the Galaxy Vol. 2loved it—Thor: Ragnarokloved it—Black Pantherloved it—and now Infinity Warloved it. So, I think I'm back on board, as we rush headlong towards the MCU's endgame.

Here are just a few random thoughts regarding Infinity War. There are plenty of good critical analyses of the film online, but I'm not interested in writing one of those right now. I see the film's (many) flaws, but for this piece I'm just going to discuss some aspects of the film that worked for me, and a few that didn't. Pretty simple, pretty basic.

Obviously, spoilers aplenty ahead.


Loki sacrificing his life to save his brother Thor, was a shocking start to the film. Tom Hiddleston has been consistently amazing in the role, and if this is his final moment in the MCU, then ending on a note of redemption was a damn fine way to go out.

Robert Downey Jr. brought real depth and nuance to Tony Stark. As the film progressed, Downey Jr.'s eyes kept signalling towards Tony's slowly eroding hope that they could stop Thanos. Also, the verbal sparring between he and Benedict Cumberbatch's Doctor Strange was a joy to behold.

I kept hoping for Adam Warlock to show up, but ultimately I don't think there was enough space to introduce him. Rumor is that he's going to be in next Guardians of the Galaxy film (with an Easter Egg about him in the last film). Fingers crossed, because I'd love to see Warlock and Thanos reenact their frenemies routine from the comics.


Scarlet Witch and Doctor Strange looked great doing whatever that sorcery thing is they're always doing. I'm sure the actors looked silly while filming, but when combined with the effects, it made me happy, what can I say? I'm happy that Elizabeth Olsen played such an important role at key moments, because she's been quite good as Wanda. This movie really showed off how awe-inspiring Scarlet Witch's powers can be, although I could have done with a wee bit less of her worrying about Vision. Cumberbatch was much better here than in his solo film outing (I found Doctor Strange mostly boring, which is something a Doctor Strange movie really shouldn't ever be, if done right). This performance felt like the Stephen Strange we all know and love from the pages of Marvel Comics.

I did not miss Hawkeye, not even a little. Sorry, Mr. Renner.

Thanos's motivation was far less clear or believable than in the comics. Jim Starlin's source material presents a Thanos obsessed with Death—and because it's comics, Death is personified as a cosmic entity in a female form, roaming outer space looking forlorn and unimpressed. His desire to eliminate half the universe's population stems from wanting to impress her. That's some deep, psychologically rich stuff, and why the film chose not to go this route is beyond me. It wouldn't have added much running time to the film, and they could have seeded a little bit about it in Thanos's cameos in previous films.

When Thanos exchanged Gamora's life for the soul gem, I had to stop myself from blurting out, "NO!" in the theater. After being unsure about Zoe Saldana when she was initially cast, I've grown to be a huge fan of her in the role. She won me over in the first Guardians of the Galaxy, then stole my heart in the second. She was destined to play a large part in this film, and it provided a nice tribute to both Gamora and Saldan's excellent work with the character. But about her death...


Gamora's trapped inside the Soul Gem, right? Just like in the comics, yeah? I mean, Thanos visits young Gamora in what I'm guessing is the pocket universe inside the Soul Gem (sorry, Stone, as Marvel says these days). I don't think we've seen the last of Saldana as Gamora.

Star-Lord really screwed the pooch, as the saying goes, huh? Not Peter Quill's finest hour, and Chris Pratt's unfortunate facial hair didn't help matters, either. Even worse, he ruined a shot for Mantis—admittedly, an MCU character I have an inexplicable soft spot for—to play an integral role in stopping Thanos. She had him zonked out in la-la land before Quill lost his cool about Gamora's death (understandably, of course, but still).

Speaking of the Guardians of the Galaxy, I've really grown to love them. In fact, they're my favorite thing about the MCU. With the X-Men not (yet) in the MCU, the Guardians—Peter Quill/Star-Lord, Gamora, Rocket Raccoon, Groot, Drax, Mantis—have filled that void for me. They're lovable losers, outsiders and malcontents, banding together to save a universe that doesn't respect them—or even care to know who they are! They're the anti-Avengers and I can't help but love that. Seeing them fighting alongside the Avengers was a treat, and the contrast between teams provided some real tension and comic relief.


Chris Evans as Cap gave me all the feels. Even though he doesn't have many lines, really, Steve Rogers is still important, with several well-timed and effective reaction shots. Plus, there's the moment when the long-haired, bearded, no-mask Cap stands toe-to-toe with Thanos, even if only briefly. It's a moment so uplifting, so essential to the spirit of Captain America, and Evans' steely determination sold it just right. Evans is Captain America, and I doubt that I'll ever be able to accept anyone else in the role.

Thor keeps proving he's the mightiest Avenger. Chris Hemsworth has really grown into the part and seems increasingly comfortable in the Thunder God's shoes. He was excellent here, just as he was in Thor: Ragnarok last year.

So, just months after the uplifting success of Black Panther, Wakanda gets blitzed by Thanos and his minions, hard. Oof. Weird choice, Marvel.

Nebula will gain access to the Infinity Gauntlet in the next Avengers film, yes? I hope so, mostly because I'd love to see this moment reenacted by Karen Gillan and Josh Brolin. On a related note, I miss Nebula's cosmic biker babe look—it was absolutely ludicrous but it was also so, so comic booky that it's hard not to kind of love it. I do not, however, miss the Hulk wearing a crimson pantsuit, nor do I ever again need to see Drax wearing a purple cape.



Josh Brolin did a terrific job playing Thanos. I especially liked the subtle shading he applied to the character's motivations and actions, making the Titan as complex and interesting as when Jim Starlin writes him in the comics.

The ending of the film is not only bleak, it's also seriously messed up. Thanos, finally content to rest, staring off at the sunset, not long after snapping his fingers and annihilating half the universe's population. Like you do. Yikes. It's hard to walk out of the theater feeling anything but off balance, disturbed, and a little bit amazed that they had the temerity to end it that way. I'm reminded of Empire Strikes Back—I know some fans consider this comparison sacrilege, and to them I say, "Calm down" and "Get over yourselves."

Of course, Infinity War is loosely based on comics, so it's probably unlikely everyone will actually stay dead. Why? Because, comics. As a lifetime comics junkie, when I see audiences losing their minds over the film's ending, I want to roll my eyes and chuckle. They're going to reverse at least some of the deaths, I'd stake my comic fandom cred on it. But I think a few, maybe even several, of these deaths will remain permanent. We'll know which ones by next year, I suppose.

Comments

Popular posts from this blog

Blowing in the Wind: Marilyn Monroe and That Iconic White Dress

This month marks sixty-five years since one of the most iconic moments in twentieth-century popular culture: Marilyn Monroe’s angelic white dress being blown sky high by wind rushing up from a subway grate beneath her feet in the film  The Seven Year Itch . Billy Wilder shot multiple takes, while Sam Shaw snapped photo after photo for what had to be the biggest publicity stunt ever staged at the time. Marilyn wore two pairs of underwear for the shot, yet, as noted in Lois Banner's critical biography Marilyn: The Passion and the Paradox  (2012), "a dark blotch of pubic hair" remained visible to the 100 male photographers and over 1,500 male spectators, all of whom crowded eagerly around the set to gawk and drool.  Due to strict 1950s movie censorship laws, photos had to be doctored to white out the offending blotch, but those in attendance saw it, over and over, shot after shot. Marilyn's husband at the time, the extremely old fashioned Joe DiMaggio, stormed off th

All I Want For Christmas: Phoebe Cates's Monologue in Gremlins

Joe Dante's 1980s classic Gremlins will always be a subversive Christmas favorite. From Spike exploding in the microwave to Mrs. Daigle's "stairlift to hell", the movie is packed with deliciously transgressive moments that turn the holly jolly season right on its ear. None are more memorable, though, than Phoebe Cates delivering her legendary "worst thing that ever happened to me on Christmas" monologue. It's a jaw-dropping, tour-de-force moment, a truly horrific story that's also one of the most darkly comic moments in Christmas movie history. Cates really shines during this scene. There's no denying just how seminal that scene of hers in Fast Times at Ridgemont High was for a generation of young people, but her speech in Gremlins is equally important and a wonderful showcase for her serious and comedic acting skills.  Here's the speech, in its entirety. No Christmas season is complete without at least one viewing

Misspent Youth: Joanne Whalley

Looking back at the pop culture mainstays of this Gen-Xer's gloriously misspent youth. One of the most famous and oft-quoted Seinfeld scenes involves Bobka and Jerry's discovery of the existence of Cinnamon Bobka. After Elaine scoffs at the notion of such a thing, even calling it a "lesser Bobka," Jerry unleashes one of the great defenses of a freshly ground spice ever delivered: People love cinnamon. It should be on tables at restaurants along with salt and pepper. Anytime anyone says, "Oh This is so good. What's in it?" The answer invariably comes back, Cinnamon. Cinnamon. Again and again.  Joanne Whalley is like Cinnamon. Yes, I just compulsively double-checked my DVD copy and it's the unrated version, thank you very much. Let me explain. You see, during the formative years of my misspent youth, if I stumbled on a movie featuring the doe-eyed, petite, beautiful English actress, invariably I'd feel like Jerry does about Cin

"That girl looks just like Pat Benatar"

Linda, that girl looks just like Pat Benatar. I know. Wait, there are three girls here at Ridgemont who have cultivated the Pat Benatar look. I was just a kid when Fast Times at Ridgemont High opened in 1982. Still though, even at the tender young age of seven, I knew who Pat Benatar was, because a.) her music was all over the radio and even then I recognized the utter awesomeness of her vocal talent in songs like "Hit Me With Your Best Shot", and b.) some of the older girls around town were obviously cribbing their looks—clothes, hair, makeup, strut—from Benatar's own style. Benatar was ubiquitous. So, when I see or hear vintage-era Benatar now, I think of Fast Times , but mostly I remember that ubiquity—of both the performer and her legion of young imitators. I know it's not true, but when I recollect those years I swear every older girl looked like either Benatar, Juice Newton, or Joan Jett. It's easy to forget, years later, that

Misspent Youth: Randi Brooks

Looking back at the pop culture mainstays of this Gen-Xer's gloriously misspent youth. ***** A note on the series and this site: This might be the final post in the "Misspent Youth" series - at least here. Maybe it'll eventually move with me. Oh, right, I buried the lede: I've moved, and would love for you to come visit me at my new site, The Starfire Lounge ! Moving forward, this site will likely cease to be updated, but will remain around for posterity and your continued reading pleasure. I have a few more things to post here over the coming days or weeks as a sort of "everything must go" send-off to the old girl. I also plan to write a final farewell post to my main online home for the last five years. Stay tuned and, as always, thanks for reading. ***** It's no surprise that the talented but now mostly forgotten Randi Brooks would make an appearance in the Misspent Youth series. She may not be a household name, but her resume

Misspent Youth: Morgan Fairchild

Looking back at the movies, music, television, and other pop culture mainstays of this Gen-Xer's gloriously misspent youth. Once I decided that Morgan Fairchild would be the subject of the next installment in this series, I did what I usually do and researched online for a bit, just to refresh my memory on details that might've previously been lost to time. Morgan Fairchild was legitimately one of the most potent sex symbols of the 1970s and '80s. Not that I needed much refresher when it came to Fairchild. Born Patsy Ann McClenny in Dallas, Texas, February 3, 1950, the American actress was everywhere during those oh-so-crucial formative years of my pop culture obsession. She loomed large in the growing ranks of proto-haughty glamour queens, a trope that was hot on prime time TV in the 1980s. The characters she was most well-known for were drop-dead gorgeous and didn't suffer fools lightly. Really, few ever did it better than Fairchild. The shirt do

It Came From the '90s: My Secret Crush on The Nanny

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade. For six seasons in the 1990s, The Nanny made many of us laugh. At times, it could be downright hilarious . At others, well, not so much . This isn't a review of a '90s sitcom staple, though. No. This is simply an excuse to come clean about something I've kept buried deep inside for over two decades now: I had a secret crush on The Nanny herself, Fran Drescher. The unadulterated nineties-ness of this is practically blinding. And I love it. While The Nanny was sometimes quite funny, thanks largely to Drescher's spunky charisma and wholehearted commitment, the show was never considered hip. People my parents age seemed to love it, but my friends preferred, well, Friends . That smile! Those legs! That dress! It's all overloading my circuits. I watched Friends with my friends, but I also thoroughly enjoyed The Nanny , to

Margot Kidder and the Childhood Crush That Will Never Die

"I dream about sex, flying, and being chased by Nazis." — Margot Kidder,  Rolling Stone , "The Education of Margot Kidder", 1981 ***** File that quote under, "Reasons why I love Margot Kidder." Last month, Margot hopped a one-way flight with old pal Chris Reeve off into the stars and beyond, where they could reenact their iconic moment from  Superman  (1978), for all eternity. I wrote a little about Margot, here and here , trying to explain why this particular actress meant so much to me as a kid growing up in the 1980s. I thought that would be enough. It wasn't.* Those posts were my fumbling attempts to sort out just how large an impact Margot had on my young life, and, to my present-day surprise, how much she still means to me now. Before news of her death, I hadn't thought of her in ages. I assumed the early childhood crush I harbored for my Lois Lane had dwindled and faded. Ha! I was a fool. My crush on Margot was very

It Came From the '90s: Kelly Bundy and the Alternative Family Ideal

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade. Very few television series in the 1990s were as polarizing as Married...with Children . People either loved it or they loathed it. TV critics and good upstanding Catholic families like mine fell into the latter category. Soon after it debuted during my first year of junior high in 1987 (not quite the '90s, but on the brink), my parents made it clear that we would not be watching. I believe the words they used were "vulgar," "unfunny," and, one of their perennial favorites, "risque." Of course, this meant it immediately took on a prurient appeal for me. Parents can never win, honestly. Kelly Bundy—the talented Christina Applegate, who never gets enough credit for elevating the blonde airhead trope into an art form—only further piqued my interest. She was like the girls in school with the absurdly voluminous hair and ridiculously sh

My Favorite Death Dealer: Kate Beckinsale

"I dropped out of Oxford, and now I only speak Russian with the woman who gives me a bikini-wax. See what Hollywood does to you?" "Apparently, I'm very good at firing a gun without blinking, which is unusual. That's why so many action characters have to wear sunglasses during shoot-out scenes. That's my party trick." "Someone once said that you can make the choice between getting old and getting creepy, and I think getting old is the way to go." ***** Before I begin, here's a haiku that took me at least ten seconds to write: Ah, Kate Beckinsale.  We'd gladly live with you, in your Underworld Yeah, so, I'm a fan. I've always been a fan of Kate Beckinsale, especially as the vampire Death Dealer Selene in the action/horror franchise  Underworld  (five films and counting now) and as a young upwardly mobile publishing professional in Whit Stillman's masterpiece of earl