Skip to main content

Girl, You Have No Faith in Medicine, Vol. 2: Somebody Get Me a Doctor


Previously I looked at some favorite nurses from pop culture. This time out we'll focus on some memorable film and television doctors. Some are great at their jobs, some, not so much, but all are entertaining. When it comes to pop culture, that's what counts more than medical degrees or bedside manners.

This isn't a comprehensive list of television and film doctors. Not even close. These are just a few that I love best. Let me know your favorites in the comments!

Dr. Dan Challis, Halloween III: Season of the Witch (1982)


Dr. Dan always travel light: just a change of clothes, a toothbrush, and a female companion young enough to be his daughter.

There are several reasons why Dr. Dan is both a legend and a legendary stud. First, he's played by genre film stud Tom Atkins. He's also clearly more preoccupied with booze and babes than with his medical career. I wouldn't doubt he's buzzed on the job, and he's clearly taken an extracurricular interest in certain female colleagues at the hospital. Sure, he's married with kids, but he's not letting that situation cut into his scoring opportunities.

Dr. Dan: "Sure, let's take a trip to the mask factory to investigate. You might want to pack your sexiest lingerie."

Ellie: "Um...uh...okay?"

So it's no surprise when he jaunts off on an impromptu road trip with nubile Ellie Grimbridge (Stacey Nelkin), ostensibly to save America's children from gruesome death at the hands of killer Halloween masks manufacture at the Silver Shamrock factory—there's so much more, and it gets even weirder, because Halloween III is one of the most entertainingly bizarre horror films you'll ever see. It's status as a cult classic seems secure these days, as it should be. I absolutely love this movie.

In their first night in a motel, Dr. Dan uses his devil-may-care charm on Ellie, starting with this hilarious exchange:

Dr. Dan: Maybe I ought to get another room.
Ellie: That would look sort of suspicious, wouldn't it?
Dr. Dan: What I mean is, if it'd make you more comfortable... I can sleep in the car - be a lot better than this floor, anyway.
Ellie: Where do you want to sleep, Dr. Challis?
Dr. Dan: [Staring at her] That's a dumb question, Miss Grimbridge.

Dr. Dan is one smooth operator.

The soft, warm glow of Dr. Dan's mood lighting.

I'll hand it to him, though, when he's not macking on the ladies or nursing a scotch, he's genuinely trying to save children on Halloween. The film's ending is one of Atkins' finest moments, with Dr. Dan on the phone imploring the television station to stop the Silver Shamrock commercial immediately. The movie abruptly ends on a tight closeup of Atkins' distraught face as he screams, over and over again, "Stop it! Stop it! STOP IT!" It's about as bleak as endings get. Poor Dr. Dan.

N'Bushe Wright: Dr. Karen Jenson, Blade (1998)

Don't mess with Dr. Jenson, if you know what's good for you.

Both a brilliant hematologist and a courageous fighter, Blade's Dr. Jenson uses her high IQ to develop a cure for vampirism after she's bitten by a vamp. Dr. J is the rare breed who can beat you with either her mind or her body. She gets attacked and kidnapped over the course of the film, but she isn't some helpless, brainy MD in need of saving by Wesley Snipes's vampire hunter Blade. She's the kind of supporting player you want to see elevated to a lead role in her own film, and its a shame N'Bushe Wright never got that chance again because she more than delivered the goods here. At least we'll always have this fantastic performance to revisit.

Dynamic Duo: Snipes and Wright.

Blade
is terrific, and while it was unfairly ignored for a while, twenty years on it's starting to receive rightful credit as Marvel's first black superhero film. Some of that praise should also be lavished on Wright as Dr. Jenson. She deserves to be included in any list of kick-ass female leads in genre films.

Leslie Nielsen: Dr. Rumack, Airplane! (1980)

Dr. Rumack would like to know if you had the fish for dinner.

Almost every one of Dr. Rumack's lines is a classic:

"I want to tell you both good luck. We're all counting on you."

"I am serious...and don't call me Shirley."

Nielsen, Julie Hagerty and the rest of the cast are in peak comedic form.

"I haven't seen anything like this since the Anita Bryant concert."

"But the other two pilots... they're just fine. They're at the controls flying the plane... free to pursue a life of religious fulfillment."

The Rumack Four, performing one night only, up high in the friendly sky.

Nielsen is beyond hilarious as the deadpan doctor and Airplane! remains one of the funniest films in motion picture history.

And, thank goodness Rumack had the lasagna.

Just when you think you've seen it all in your medical career.

Helena Bonham Carter: Dr. Julia Hoffman, Dark Shadows (2012)

Dr. Julia is the only therapist I know who allows co-payment in the form of booze or pills.

I recently extolled the virtues
of Helena Bonham Carter's performance as a perpetually sloshed psychiatrist with some, um, unusual counseling methods, so I'll just add this: Bonham Carter chews the scenery with great tenacity, making Dr. Julia an absolute pleasure to spend time with.

I live for Dr. Julia GIFs.

Dr. Samuel Loomis, the Halloween films


Deep thoughts with Dr. Loomis.

Earlier, we discussed Dr. Dan from Halloween III, but no list of favorite film docs is complete without including great Dr. Sam Loomis. Played by Donald Pleasance with a wildly fluctuating manic depressive energy in the first, second, fourth, fifth, and sixth Halloween films (we will not be discussing Rob Zombie's reboots here, but last year I did rank every Halloween film to date), Dr. Loomis is the constant for much of the venerable horror franchise.

There's Pleasance in his tattered and billowing trench coat, film after film, hustling after everyone's favorite supernatural serial killer Michael Myers. Loomis is almost supernatural himself, somehow surviving a hospital explosion at the end of Halloween II that should have incinerated him. His dogged pursuit of Michael is inspiring and a little terrifying. He's the franchise's ultimate tragic character, destined to spend his life chasing the child he couldn't save in the past from slaughtering a new generation of victims that Loomis can't save in the present. An utterly, unrelentingly tragic existence.

He's not going to sugarcoat it for you, Sherfiff.

Loomis's famous monologue in Halloween (1978) is one of the defining moments not only for the franchise but for all of horror cinema. It tells you all you need to know about Loomis, his dedication, his despair, and John Carpenter's legendary score only adds to the sorrowful, helpless tone of the speech. It's Pleasance at his very best.



Gillian Anderson: Dr. Dana Scully, The X-Files

The truth is out there, and it's name is Dr. Dana Scully.

Dr. Dana Scully was recruited by the FBI while still in medical school at Stanford. Her senior thesis was titled, "Einstein's Twin Paradox: A New Interpretation." Yeah, she's wicked smart. She's also a skeptic and a cynic, and her cerebral cool is consistently awesome.

Damn straight.

Even though I've never been a huge X-Files watcher (gasp!), I've always enjoyed Scully, and admired Gillian Anderson's portrayal. Hell, she's responsible for the “Scully Effect”— which observed an influx of women pursuing STEM (science, technology, engineering, and math) thanks to her impact on the popular culture.

Clearly, fans love her. The simple truth is, she's a great, richly nuanced character who deserves her place in the pantheon, thanks in large part to Anderson's fantastic work with the role.

Fans always have a light for Scully.

We want to believe. No, not in aliens (although we might want that, too), but in Dana Scully, and Anderson has made that extremely easy for more than two decades now.

We'd follow her anywhere.

Comments

  1. Another great selection, I especially enjoyed the humour you brought to your Dr Dan segment. Leslie Nielsen's Rumack always cracks me up, sure I know exactly what's coming but I still laugh every single time, and even though I've never seen a Halloween film I do know Donald Pleasence is always eminently watchable. His disgraced, alcoholic Doc Tydon in Wake in Fright is one his finest creations, one that has stayed with me for years!

    Going slight off topic there is an upcoming blogathon I thought you might find interesting. Just click on the link and see what you think.

    https://silverscreenings.org/2018/05/09/announcing-the-reel-infatuation-blogathon-2018/

    ReplyDelete
    Replies
    1. Ooh that blogathon sounds fun. I can think of a Pfeiffer character or two I could write about. I'll see what I can do!

      Delete

Post a Comment

Popular posts from this blog

Blowing in the Wind: Marilyn Monroe and That Iconic White Dress

This month marks sixty-five years since one of the most iconic moments in twentieth-century popular culture: Marilyn Monroe’s angelic white dress being blown sky high by wind rushing up from a subway grate beneath her feet in the film  The Seven Year Itch . Billy Wilder shot multiple takes, while Sam Shaw snapped photo after photo for what had to be the biggest publicity stunt ever staged at the time. Marilyn wore two pairs of underwear for the shot, yet, as noted in Lois Banner's critical biography Marilyn: The Passion and the Paradox  (2012), "a dark blotch of pubic hair" remained visible to the 100 male photographers and over 1,500 male spectators, all of whom crowded eagerly around the set to gawk and drool.  Due to strict 1950s movie censorship laws, photos had to be doctored to white out the offending blotch, but those in attendance saw it, over and over, shot after shot. Marilyn's husband at the time, the extremely old fashioned Joe DiMaggio, stormed off th

All I Want For Christmas: Phoebe Cates's Monologue in Gremlins

Joe Dante's 1980s classic Gremlins will always be a subversive Christmas favorite. From Spike exploding in the microwave to Mrs. Daigle's "stairlift to hell", the movie is packed with deliciously transgressive moments that turn the holly jolly season right on its ear. None are more memorable, though, than Phoebe Cates delivering her legendary "worst thing that ever happened to me on Christmas" monologue. It's a jaw-dropping, tour-de-force moment, a truly horrific story that's also one of the most darkly comic moments in Christmas movie history. Cates really shines during this scene. There's no denying just how seminal that scene of hers in Fast Times at Ridgemont High was for a generation of young people, but her speech in Gremlins is equally important and a wonderful showcase for her serious and comedic acting skills.  Here's the speech, in its entirety. No Christmas season is complete without at least one viewing

Misspent Youth: Joanne Whalley

Looking back at the pop culture mainstays of this Gen-Xer's gloriously misspent youth. One of the most famous and oft-quoted Seinfeld scenes involves Bobka and Jerry's discovery of the existence of Cinnamon Bobka. After Elaine scoffs at the notion of such a thing, even calling it a "lesser Bobka," Jerry unleashes one of the great defenses of a freshly ground spice ever delivered: People love cinnamon. It should be on tables at restaurants along with salt and pepper. Anytime anyone says, "Oh This is so good. What's in it?" The answer invariably comes back, Cinnamon. Cinnamon. Again and again.  Joanne Whalley is like Cinnamon. Yes, I just compulsively double-checked my DVD copy and it's the unrated version, thank you very much. Let me explain. You see, during the formative years of my misspent youth, if I stumbled on a movie featuring the doe-eyed, petite, beautiful English actress, invariably I'd feel like Jerry does about Cin

"That girl looks just like Pat Benatar"

Linda, that girl looks just like Pat Benatar. I know. Wait, there are three girls here at Ridgemont who have cultivated the Pat Benatar look. I was just a kid when Fast Times at Ridgemont High opened in 1982. Still though, even at the tender young age of seven, I knew who Pat Benatar was, because a.) her music was all over the radio and even then I recognized the utter awesomeness of her vocal talent in songs like "Hit Me With Your Best Shot", and b.) some of the older girls around town were obviously cribbing their looks—clothes, hair, makeup, strut—from Benatar's own style. Benatar was ubiquitous. So, when I see or hear vintage-era Benatar now, I think of Fast Times , but mostly I remember that ubiquity—of both the performer and her legion of young imitators. I know it's not true, but when I recollect those years I swear every older girl looked like either Benatar, Juice Newton, or Joan Jett. It's easy to forget, years later, that

Misspent Youth: Randi Brooks

Looking back at the pop culture mainstays of this Gen-Xer's gloriously misspent youth. ***** A note on the series and this site: This might be the final post in the "Misspent Youth" series - at least here. Maybe it'll eventually move with me. Oh, right, I buried the lede: I've moved, and would love for you to come visit me at my new site, The Starfire Lounge ! Moving forward, this site will likely cease to be updated, but will remain around for posterity and your continued reading pleasure. I have a few more things to post here over the coming days or weeks as a sort of "everything must go" send-off to the old girl. I also plan to write a final farewell post to my main online home for the last five years. Stay tuned and, as always, thanks for reading. ***** It's no surprise that the talented but now mostly forgotten Randi Brooks would make an appearance in the Misspent Youth series. She may not be a household name, but her resume

Misspent Youth: Morgan Fairchild

Looking back at the movies, music, television, and other pop culture mainstays of this Gen-Xer's gloriously misspent youth. Once I decided that Morgan Fairchild would be the subject of the next installment in this series, I did what I usually do and researched online for a bit, just to refresh my memory on details that might've previously been lost to time. Morgan Fairchild was legitimately one of the most potent sex symbols of the 1970s and '80s. Not that I needed much refresher when it came to Fairchild. Born Patsy Ann McClenny in Dallas, Texas, February 3, 1950, the American actress was everywhere during those oh-so-crucial formative years of my pop culture obsession. She loomed large in the growing ranks of proto-haughty glamour queens, a trope that was hot on prime time TV in the 1980s. The characters she was most well-known for were drop-dead gorgeous and didn't suffer fools lightly. Really, few ever did it better than Fairchild. The shirt do

It Came From the '90s: My Secret Crush on The Nanny

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade. For six seasons in the 1990s, The Nanny made many of us laugh. At times, it could be downright hilarious . At others, well, not so much . This isn't a review of a '90s sitcom staple, though. No. This is simply an excuse to come clean about something I've kept buried deep inside for over two decades now: I had a secret crush on The Nanny herself, Fran Drescher. The unadulterated nineties-ness of this is practically blinding. And I love it. While The Nanny was sometimes quite funny, thanks largely to Drescher's spunky charisma and wholehearted commitment, the show was never considered hip. People my parents age seemed to love it, but my friends preferred, well, Friends . That smile! Those legs! That dress! It's all overloading my circuits. I watched Friends with my friends, but I also thoroughly enjoyed The Nanny , to

It Came From the '90s: Kelly Bundy and the Alternative Family Ideal

This series looks back at the 1990s and its influence on the generation of people who came of age during the decade. Very few television series in the 1990s were as polarizing as Married...with Children . People either loved it or they loathed it. TV critics and good upstanding Catholic families like mine fell into the latter category. Soon after it debuted during my first year of junior high in 1987 (not quite the '90s, but on the brink), my parents made it clear that we would not be watching. I believe the words they used were "vulgar," "unfunny," and, one of their perennial favorites, "risque." Of course, this meant it immediately took on a prurient appeal for me. Parents can never win, honestly. Kelly Bundy—the talented Christina Applegate, who never gets enough credit for elevating the blonde airhead trope into an art form—only further piqued my interest. She was like the girls in school with the absurdly voluminous hair and ridiculously sh

Margot Kidder and the Childhood Crush That Will Never Die

"I dream about sex, flying, and being chased by Nazis." — Margot Kidder,  Rolling Stone , "The Education of Margot Kidder", 1981 ***** File that quote under, "Reasons why I love Margot Kidder." Last month, Margot hopped a one-way flight with old pal Chris Reeve off into the stars and beyond, where they could reenact their iconic moment from  Superman  (1978), for all eternity. I wrote a little about Margot, here and here , trying to explain why this particular actress meant so much to me as a kid growing up in the 1980s. I thought that would be enough. It wasn't.* Those posts were my fumbling attempts to sort out just how large an impact Margot had on my young life, and, to my present-day surprise, how much she still means to me now. Before news of her death, I hadn't thought of her in ages. I assumed the early childhood crush I harbored for my Lois Lane had dwindled and faded. Ha! I was a fool. My crush on Margot was very

Michelle Pfeiffer: Ant-Man and the Wasp

Revisiting and celebrating the work of Michelle Pfeiffer,  the best actress of my lifetime. Spoiler alert: I'll be discussing plot points for the new film Ant-Man and the Wasp . ***** If you've spent any time at all on the internet this week, chances are you've noticed the gushing adulation and hyperbolic lovefest surrounding Michelle Pfeiffer's performance in the newly released, and extremely fun,  Ant-Man and the Wasp . It's fascinating to behold this lovefest—and also to be an active participant in it! Obviously, I spent some time on Twitter praising Pfeiffer's work as Janet van Dyne, the original Wasp, after seeing the movie. And of course I'll be heaping more praise on her work here. Yet, what's so intriguing about it all is that she only appears in the film briefly! It's a glorified cameo. She has, max, fifteen minutes of screen time (an awfully generous estimate on my part), but she is the highlight of the film, no questio